Max Joseph D'Orsogna (HE/HIM, b. Melbourne, 1989) is an Australian-Italian diaspora photographer now based in London whose photographs seek to examine dynamics of truth, power and the ethics of representation with a knowing wink.
Staged scenarios collide with a quotidian vernacular across his work, furnishing a distinctive visual lexicon that casts fact and fiction as two protagonists locked in an atomic-level tango.
The Wire (UK)
Porsche Type 7,
(I’ve had quite enough!)