Foremost, the artist would like to acknowledge the Wurundjeri people of the Kulin nation as the custodians of the land on which this event took place and would also like to pay their respect to Elders past and present. Sovereignty was never ceded. 

For many years, a family friend worked as a spy. Shortly after the fall of the Soviet Union when the U.S.S.R had to move gear quickly he was sent on an assignment to meet up with an ex-Soviet general to inspect a fleet of submarines for purchase.

Upon meeting the general, the operative asked cordially “Is this the first time you’ve been here?” referring to the picturesque harbour of the major city they’d met in, to which the Russian general replied with a quiet smirk “No - just the first time we’ve been ashore”.

An exploration of the absurdity of the borders that nation-states create, enforce and fervently protect; Embassy sought to question the ongoing legitimacy of sovereign power in restricting the movement of displaced individuals and detaining those seeking asylum in a destablised world.

Through the re-creation of an archetypal consular space, Embassy charted a course from the Petrov Affair to modern whistleblowers removed from the Ecuadorian Embassy, to examine the sinister and codified rituals of diplomacy.

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‘STRANGE HOLIDAY’ 

Produced as part of a two-month residency in Spain at
LA FRAGUA, this mixed-media exhibition presented a suite of paintings, installations ,sculptures and photographs all centered around an exploration of the artificiality of holiday culture and ‘vacationing’; engaging the forgotten emblems of long-gone airlines, tropes of endless freeways and dusty one-horse towns, Strange Holiday sought to question the logic of travelling abroad when it is our own consumption-induced state of alienation we most seek to escape.

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